OUT OF THE BLUE AND DANS LE NOIR

I was in Paris last week.  One of the reasons we went was to try to locate the alleged 'teleportation chamber' in the cemetery of Montmartre.  I wrote about the London funerary teleportation grid made by Joseph Bonomi and the Clerkenwell inventor Samuel Warner here.  

I remain undecided on whether Warner was a complete fraud, a visionary or just deluded.  Amongst several other inventions, he claimed to have developed a missile capable of destroying ships from a distance: 'a teleportation bomb'.  In a period of war and abiding mistrustful relations with France, The Royal Navy were so keen for an advantage that they paid him to develop this extraordinary weapon but proved unable to reproduce his results independently. 

Bonomi was a believer for sure and it was allegedly with his occult knowledge that Warner had developed this  'psychic torpedo'. 

When convincing the military of the efficacy of the mind bomb proved unlikely, they turned their joint efforts and techniques to a semi-commercial venture - the London teleportation system .This was constructed across the seven major London cemeteries and sponsored by Lord Kilmorey, but secretly Warner continued with his military schemes.

In amongst the extravagant claims and self justification of his various books on the subject of National defence, there appear to be references to another teleportation chamber hidden in a Parisian graveyard.  This may have been intended for the purposes of reconnaissance or spying - hence the employment of owl symbolism-  but it seems to have been designed without Bonomi's assistance for it does not bear the typically Egyptian stylings he favoured in London.  

This cannot have been so that it would not stand out in Montmartre - it lacks any religious decoration and being the only structure in the graveyard engineered from blue ship metal is not that difficult to spot when you know what you are looking for.  The naval connection is evident in the side panels which have cast images of ships with engines on them - perhaps the fantastical machines used to launch Warner's occult weapons?

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Whist in Montmarte, we stumbled over another most peculiar monument - that of the amazing 3D Doctor Guy Pitchal.  Whilst mysterious and odd, this relies on a more obvious psychic technique to prove there is life of a sort after death.  Press play to see why..

TUNNELS, TELEPORTATION AND THE EXPLODED HEART

My investigations into the Egyptologist Joseph Bonomi and the London teleportation system seem to have provoked some interest and have been bearing unexpected fruit.  Thanks for the messages - especially the one in heiroglyphs.

A recent correspondent who wishes to remain anonymous put me on the trail of Bonomi's sponsor the gambler and occultist Lord Kilmorey (also known as 'Black Jack' Needham).  Black Jack became infamous for eloping with Priscilla Hoste who although once his young ward, became the love of his life.  Although much younger than he, his love appears to have been reciprocated but the scandal of the affair or the strangeness of his arcane rituals (which had seen his separation from two previous wives) proved too much of a strain on her and she died. Whether she expired during one of their love rituals or not, she certainly passed on prematurely of an 'exploded heart' - cementing the reputation of Black Jack as a demon lover.

Wracked with grief and guilt at his loss, he consulted with his fellow occultist Bonomi in the hope of finding a way to re-animate the dead girl or at least to be able communicate with her.  Bonomi instructed the architect Henry Edward Kendall in the construction of an Egyptian mausoleum and covered it with heiroglyphs dedicating it to Osiris concerning the journey of the soul through the afterlife.  The mausoleum was initially constructed in Brompton Cemetery near the Courtoy tomb described beneath but extraordinarily, the whole edifice was subsequently 'moved' - first to Chertsey and then to the grounds of Gordon House in Isleworth where it stood hidden for many years.  Whether this movement was by means of horse and cart or was a successful example of Bonomi and Warner's teleportation techniques,  I leave you to decide.  

It has been speculated that the mausoleum was intended to be a 'master' teleportation chamber which somehow controlled the grid of other chambers located in each of the cemeteries which ring London.  Certainly Black Jack had a hidden tunnel built linking it to Gordon House and was said to dress in white, lay in a coffin and be wheeled by his servants through the tunnel to be left with the deceased Priscilla. Whether he did this so he could attempt to communicate with his dead love or to teleport on a discreet journey into town, who now knows?